Pintura Identificación:: 33789
Portrait of a Young Girl Retrato de una Joven Chica mk86
after 1708
Pastel
36.3x30.3cm
Paris,Musee National du Louvre
mk86 despuésde 1708 París 36.3x30.3cm a pastel, Musee du Nacional Louvre Italian Rococo Era Painter, 1675-1757
Pintura Identificación:: 33914
Portrait of a Young Girl Retrato de una Joven Chica mk87
c.1840
Oil on canvas
68.5x57cm
Altenburg,
mk87 C. 1840 Petróleo en la lona 68.5x57cm Altenburg, 1806-1890
Pintura Identificación:: 40194
Portrait of a Young Girl Retrato de una Joven Chica mk156
after 1446
Oil on panel
29x22.5cm
mk156 después de 1446 Petróleo en pone panel 29x22.5cm Flemish
1415-1473
Petrus Christus Locations
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 63749
Portrait of a Young Girl 1507 Oil on panel tranferred from parchment, 30 x 20 cm Staatliche Museen, Berlin This small painting was in the collection of the Imhoff family of Nuremberg, and cited in their inventory from 1573-74 until 1628. In 1633, it was handed over, with the title Portrait of a Young Girl, with other works by D?rer, to Abraham Bloemart, an artist and merchant from Amsterdam. In 1899, the portrait reappears in London, and the firm P. and D. Colnaghi donated it to the Berlin art gallery. The delicate girl is portrayed with soft, curly blond hair, slightly dreamy her eyes, one somewhat lower than the other, a gentle, melancholic gaze; and well-defined, slightly parted lips. The red beret, worn sideways, with a little slit to the side, with a long red ruby and black pearl pendant, gives her a slightly cheeky air. The square green border of the red bodice sets off the upper part of her body. All these details put together have led to various interpretations. In addition to the fact that the "girl," when sold by the Imhoffs, was transformed into a "boy," Panofsky (1955) attributes an androgynous nature to her that could reveal the possible homosexual tendencies of the artist. A teasing letter of 1507 from the canonical Lorenz Behaim of Bamberg and the fact that the portrait does not seem to have been ordered would support this hypothesis. It has also been debated whether the painting was executed in Venice or after D?rer's return to Nuremberg. Considering the clothing to be typically German, there is no doubt as to its provenance.Artist:D?RER, Albrecht Title: Portrait of a Young Girl Painted in 1501-1550 , German - - painting : portrait b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)
Pintura Identificación:: 80864
Portrait of a Young Girl 18th century
Medium Oil on canvas
Dimensions ? x cm
cyf Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)
(8 June 1825 - 30 January 1891) was a French painter and engraver. He was born in Les Andelys, Eure, France to an English father and a French mother. Although he spent the whole of his life in France, he only became naturalized in 1886. He died in Paris, France.
Chaplin conducted art classes specifically for women at his studio. The American artist Mary Cassatt and the English artist Louise Jopling were among Chaplin's students.
Pintura Identificación:: 82027
Portrait of a young girl 1881(1881)
Medium Oil on canvas
Dimensions 25 3/4 x 18 inches (65.41 x 45.72 cm)
cyf (8 June 1825 - 30 January 1891) was a French painter and engraver. He was born in Les Andelys, Eure, France to an English father and a French mother. Although he spent the whole of his life in France, he only became naturalized in 1886. He died in Paris, France.
Chaplin conducted art classes specifically for women at his studio. The American artist Mary Cassatt and the English artist Louise Jopling were among Chaplin's students.
Pintura Identificación:: 83623
Portrait of a Young Girl 19th century
Medium Oil on canvas
Dimensions 23 1/4 x 20 in. (59 x 51 cm).
cyf 1753-1839
British
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
Pintura Identificación:: 84606
Portrait of a Young Girl Date first half of 17th century
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
cjr (1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Pintura Identificación:: 85311
Portrait of a Young Girl Date 1507(1507)
Medium Oil on panel tranferred from parchment
Dimensions Height: 30 cm (11.8 in). Width: 20 cm (7.9 in).
cjr b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
Pintura Identificación:: 88456
Portrait of a Young Girl first half of 17th century
Medium Oil on wood
cyf (1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
Pintura Identificación:: 90406
Portrait of a Young Girl first half of 17th century
Medium oil on panel
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
cyf (1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
Cornelis van Poelenburch (1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata. Portrait of a Young Girl
